Thank you for visiting my Media Levy Objection page
The first page about this I wrote is the
March, 2002 Digital Rag page. It
outlines the reasons for the rest of this section quite nicely.
As Time Goes By
December 12, 2003
- Finally! The ruling - and I have to say it is better than I expected. The
old levy is continued unchanged for this 2 years (ending Dec. 31, 2004) but
adds a levy on "digital audio recorders" (aka MP3 players) of from $2 to $25
per unit depending on how much storage they have when sold.
Discussion on the objectors' list and
http://www.digital-copyright.ca
(another list I subscribe to) currently revolves around the fact that in this
ruling the Board has specifically singled out DVD-R/RWs as not
being eligible for use for private copying since it is a blank audio medium
but the Board has not imposed a levy on it. This ruling brings up all sorts of
potential "gotchas" for the future, including things like the Board ruling (it
hasn't yet) that standard hard drives (like the ones in your PC) are blank
audio media but not leviable and therefore not eligible for use for private
copying - i.e. copying music to them would be against the law.
This will take a bit of time to digest the ramifications
of. In the mean time we're also wondering when the next round (for the
2005-2006 timeframe) is going to get going since this one is almost a year
late and there is only a year left to get the next levy in place.
November 28, 2003 an excellent interview
regarding copyright and creator's compensation with some points relevant to
the item below. It appears that maybe Canada has the right idea with the Media
Levy and the potential to "levy" ISPs in some manner. I'll explore this and
get back to you.
Jim Griffin was interviewed by Mikael Pawlo
November 27, 2003
Music group (in Canada) aims to charge Internet users
"Canada's songwriters will ask the Supreme Court of
Canada next week to force Internet service providers to pay them royalties
for the millions of digital music files downloaded each year by Canadians."
The discussion continues. Yesterday (July 7, 2003)
two of the talk-show hosts on my favourite talk radio (CKNW.COM) spent time
discussing both the RIAA's going after individuals with large shared music
directories and the Blank Media Levy. I spoke to Bill Good and followed up by
e-mail. Some of the people who phoned in had
completely wrong information about the levy.


Copyright Board Hearing Room
56 Sparks St., Ottawa
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It is Sunday, February 2, 2003. I have finished my personal
testimony before the Board in Ottawa on Friday, January 31, 2003. The
statement of case document and my
PowerPoint presentation with notes, (and
original ppt file) both submitted as formal
evidence to the board, are presented here. I'll also post versions of the
other evidentiary items I have sent to the board as soon as I can. |
| I have to say that the presentation went well, although was
a bit rushed for time. I was scheduled to start at 2PM on the Friday
afternoon but due to continued questioning of the previous witness, didn't
get started until about 2:40 or so. |

Tom Trottier
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From comments by others in the hearing, there are points that
I made that are both new and "interesting" and at least one (the comparison of
levy amounts with other Act mandated tariffs such as the $100/year for a
community broadcast license) that raised the chair's eyebrows and elicited a
"that's interesting" comment.

My formal
objection is here in PDF form and
here in web form
(which loses some formatting)
A Press Release is also available. Get the PDF
reader if you need it:
Adobe Acrobat
Reader
A preliminary version is in my
April page and you should
also take a look at the links on the Levy Links
page for more information and opinions.
I have also created an
outline for those who don't want to wade through the formal document. It
contains a timeline and pointers to various documents I and other objectors
(and CPCC) have had to create during this process.
I've asked you here to help me, yourself, and other Canadians
deal with what has become a major threat to the technology industries in
Canada. It originated with what originally to many seemed a good idea, or at
least not a bad idea; the blank audio recording media levy as enshrined
in the Copyright Act.
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Copying for Private Use
80. (1) Subject to subsection (2), the act of
reproducing all or any substantial part of
(a) a musical work embodied in a sound recording,
(b) a performer's performance of a musical work embodied
in a sound recording, or
(c) a sound recording in which a musical work, or a
performer's performance of a musical work, is embodied
onto an audio recording medium for the private use of the
person who makes the copy does not constitute an infringement of the
copyright in the musical work, the performer's performance or the sound
recording. |
This seems to be an excellent example of the "law of
unintended consequences" where changes in a law in response to one problem
cause more problems down the road. In this case, the law was created in one
technological environment, and is now being applied in what has turned out to
be a completely different environment due to the rapid changes in the use of
E-commerce via the Internet and other things such as the Free Trade Act with
the U.S. and other countries.
In my opinion another factor is the interjection into the
process of the free market of a self-serving entity (CPCC) with no other stake
in the process than to increase the amount of money flowing via their
particular conduit to the copyright holders at the expense of any other
conduit and not necessarily in the best interests of the copyright holders
themselves.
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Right of Remuneration
81. (1) Subject to and in accordance with this Part,
eligible authors, eligible performers and eligible makers have a right to
receive remuneration from manufacturers and importers of blank audio
recording media in respect of the reproduction for private use of
(a) a musical work embodied in a sound recording
(b) a performer's performance of a musical work embodied
in a sound recording; or
(c) a sound recording in which a musical work, or a
performer's performance of a musical work, is embodied.
82. (1) Every person who, for the purpose of trade,
manufactures a blank audio recording medium in Canada or imports a blank
audio recording medium into Canada
(a) is liable, subject to subsection (2) and section 86,
to pay a levy to the collecting body on selling or otherwise disposing of
those blank audio recording media in Canada; and
(b) shall, in accordance with subsection 83(8), keep
statements of account of the activities referred to in paragraph (a), as
well as of exports of those blank audio recording media, and shall furnish
those statements to the collecting body.
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In studying this matter (after getting madder than hell over
the concepts proposed by CPCC and their consequences to businesses I work with
and have knowledge about) I believe I have uncovered not only a fatal flaw in
CPCC's calculations on which they base their proposals, but also what may turn
out to be a reasonable answer (or set of answers) so that all sides can live
with what probably is in the long run a "not bad" idea; that of some sort of
levy in general, and one on blank audio media in particular.
Please read my
formal objection and form your own opinions. There are notes and musings
in my Digital Rag issues for March
and April as well.
Others have created web sites and objection documents:
As a note about the fact that music publishers force the
purchasing public to take unwanted songs along with the ones they want:
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From:
http://strategis.ic.gc.ca/SSG/ct01068e.html
Tied-selling exists when a supplier, as a
condition of supplying a particular product, requires or induces a customer
to buy a second product. It may also occur when the supplier prevents the
customer from using a second product with the supplied product. |
It is my opinion that if CPCC treats each track on a record as
a separate "product" then the public should be able to purchase each
separately - and at this time they cannot.
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